From the distant whispers of our ancient origins, ÒThe Remembrance MandalaÓ calls out, beckoning the soul to reconnect, recharge, and rediscover the untapped reservoir of our creative energy and prowess. Painted over many meditative months, the mandala harmoniously melds liquid metal, acrylic, and 24ct gold with pure coloured silver leaf. Each meticulous layer resonates with the cosmic rhythm, capturing the ebb and flow of lifeÕs cycles and the beauty that shapes our spiritual journey. Eccentric O reintroduces his personal mythological guardians of our soulÕs tales Ñ the divine peacock and the charged phoenix. These emblematic spirit guides encircle the mandalaÕs inner sanctum as teachers and protectors, emphasising the universal creative life force that is ever-present, ever-awaiting our acknowledgment.

Premalatha Seshadri, an artist from Chennai, India, is renowned for her vibrant, abstract depictions of birds, capturing their grace and natural beauty with a focus on intricate color and mark-making.

The Late Indian artist, Gogi Saroj Pal, is renowned for her evocative portrayal of female characters, often using symbolism and mythology to explore themes of femininity, strength, and identity in her vibrant, surreal artworks.

It is hard to put into words the remarkable patience and painstaking workmanship that goes into these watercolour paintings on paper by Shanti Panchal.

Tasaduq Sohail was a Pakistani painter known for his surreal, dreamlike art that often depicted haunting, fantastical imagery intertwined with themes of solitude, sexuality, and social commentary.

Woman I & II are conceived as a pair though painted as separate works. Facing in different directions, the women is a classic depiction of a Selvaraj lady: her hair curly, buxom-breasted, elongated eye slits and adorned with jewellery. The works have an ethereal quality in the way the sitters merge and emerge from the background.

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The wide smile of the performer is made ludicrous by his nudity. His walk backwards on his hands and feet likewise looks slapstick, a parody of the seriousness of modern life. Chowdhury characters such as these are fascinating as they are rarely placed in a distinct surrounding. It is as if they could be everywhere and anywhere in our world. Works such as this seemingly ridiculing our human drama have a dark core inspired by the traumatic experiences of partition, dislocation and isolation.

Many regard Bhaskaran's cat drawings as his signature image. The artist clearly relishes the character, body shape and pose of the animal.

BhaskaranÕs mixed media masterpiece, ÔCoupleÕ (2005), finds roots in his artistic fascination with the stodgy and often uncomfortable-looking marriage portraits that are so prevalent in houses all around India. These photographs to the artist appeared loaded with meanings and dramatic tensions Ð what the couple wants the photographÕs audience (and/or the photographer) to think of them versus what they think of each other; the new phenomenon of posing for a camera versus the traditional male-female power relationship; photography as a relatively new Western invention versus the Indian miniature portrait that dates back centuries.

The Noble Sage is an umbrella for many different activities from South Asian art exhibitions in London to Education Workshops and custom art tours in London.

Tasaduq Sohail was a Pakistani painter known for his surreal, dreamlike art that often depicted haunting, fantastical imagery intertwined with themes of solitude, sexuality, and social commentary.